{"id":6399,"date":"2025-01-28T20:53:52","date_gmt":"2025-01-29T02:53:52","guid":{"rendered":"https:\/\/tijuanacontemporary.art\/textos\/"},"modified":"2025-07-08T20:16:32","modified_gmt":"2025-07-09T02:16:32","slug":"texts","status":"publish","type":"page","link":"https:\/\/tijuanacontemporary.art\/en\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Section&#8221; module_class=&#8221;lista-textos&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; da_disable_devices=&#8221;off|off|off&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; da_is_popup=&#8221;off&#8221; da_exit_intent=&#8221;off&#8221; da_has_close=&#8221;on&#8221; da_alt_close=&#8221;off&#8221; da_dark_close=&#8221;off&#8221; da_not_modal=&#8221;on&#8221; da_is_singular=&#8221;off&#8221; da_with_loader=&#8221;off&#8221; da_has_shadow=&#8221;on&#8221;][et_pb_row make_equal=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;TITULO&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_orientation=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Texts<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;BOOKS&#8221; module_class=&#8221;lista-textos&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;LIBROS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Books<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Ecos y resonancias.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Fortis, D. (2021). <\/span><strong><i>Ecos y resonancias. Primera panor\u00e1mica de la pintura en Baja California <\/i><\/strong><span style=\"font-weight: 400;\"><strong>.<\/strong> Tijuana, M\u00e9xico: Fondo Editorial La Rumorosa.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.bajacalifornia.gob.mx\/Documentos\/icbc\/libros\/Arte\/4-Ecos-y-resonancias\/libro-Ecos_resonanciasBC-final.pdf&#8221; link_option_url_new_window=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Archivo Vivo.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Medell\u00edn, MP., D\u00e1vila, OM. y Fortis, D. (2021). <\/span><strong><i>Archivo Vivo. Primer mapeo de artistas mujeres de Baja California <\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Fondo Editorial La Rumorosa.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.bajacalifornia.gob.mx\/Documentos\/icbc\/libros\/Arte\/8-Archivo\/libro.ArchivovivoBC-final.pdf&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Ellos y nosotros\/Them &#038; Us.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Ram\u00edrez ERRE, M. (2021). <\/span><strong><i>Them and Us \/ Ellos y nosotros<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: El Colegio de la Frontera Norte, Stamp Gallery-University of Michigan, Mass MoCA, Atheneum Music and Arts Library.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Alejandra Phelts.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Phelts, A. (2021). <\/span><strong><i>Phelts<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Fondo Editorial La Rumororsa.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.bajacalifornia.gob.mx\/Documentos\/icbc\/libros\/Arte\/9-Phelts\/libro-APhelts-final.pdf&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;De aquello p\u00e1ramos sin cultura.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Rosique, R. (2016). <\/span><strong><i>De Aquellos P\u00e1ramos Sin Cultura&#8230; Tres D\u00e9cadas de Arte en Baja California, de Lo Retiniano A Lo Conceptual <\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Centro Cultural Tijuana.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/es.scribd.com\/document\/565757278\/De-Aquellos-Paramos-Sin-Cultura-Tres-decadas-de-arte-en-Baja-California-de-lo-retiniano-a-lo-conceptual-Roberto-Rosique&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Choques, rupturas, espectros.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Gonz\u00e1lez, A. (2014). <\/span><strong><i>Choques, rupturas, espectros: Avatares de la frontera en el arte tijuanense<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Instituto de Cultura de Baja California, Consejo Nacional para la Cultura y las Artes. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Del arte de terciopelo a la instalaci\u00f3n.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Rosique, R. (2009). <\/span><strong><i>Del arte en terciopelo negro al arte instalaci\u00f3n: Apuntes sobre las artes en Tijuana<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Universidad Aut\u00f3noma de Baja California, Instituto Nacional de Bellas Artes.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/61875227\/Z_LIBRO_Del_arte_en_terciopelo_al_arte_instalacion_domi_1_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Emergencias&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Iglesias, N. (2008). <\/span><strong><i>Emergencias. Las artes visuales en Tijuana. Tomo I. Los contextos urbanos glo-cales y la creatividad  <\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Centro Cultural Tijuana, Consejo Nacional para la Cultura y las Artes. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Aqu\u00ed es Tijuana.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Montezemolo, F., Peralta, R. y Y\u00e9pez, H. (2006). <\/span><strong><i>Aqu\u00ed es Tijuana!<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Black Dog Pub Ltd.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Hacedores de im\u00e1genes&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Rosique, R. (2004). <\/span><strong><i>Hacedores de im\u00e1genes: pl\u00e1stica bajacaliforniana contempor\u00e1nea<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Instituto de Cultura de Baja California, Consejo Nacional para la Cultura y las Artes, Universidad Aut\u00f3noma de Baja California, XVII Ayuntamiento de Tijuana. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;CATALOGUES&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;CAT\u00c1LOGOS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Catalogue<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Trienal de Tijuana&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Rosique, R. (2024). <\/span><strong><i>Trienal de Tijuana: I Internacional Pict\u00f3rica<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Secretar\u00eda de Cultura, Centro Cultural Tijuana.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/124756225\/TRIENAL_de_TIJUANA_1_INTERNACIONAL_PICTORICA&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Muro Verde&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Oma\u00f1a, A. y Campos, O. (2022). <\/span><i><span style=\"font-weight: 400;\">E<strong>l Muro Verde Tijuana 2018-2022<\/strong><\/span><\/i><span style=\"font-weight: 400;\">. M\u00e9xico: Facultad de Artes, Universidad Aut\u00f3noma de Baja California.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Being Here with You&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Dawsey, J. y Graham, A. (2018). <\/span><strong><i>Being Here with You. 42 artists from San Diego and Tijuana <\/i><\/strong><span style=\"font-weight: 400;\">. United States of America: Museum of Contemporary Art San Diego. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Benjam\u00edn Serrano&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>Benjam\u00edn Serrano. Trascendencia y Vanguardia desde Tijuana <\/i><\/strong><span style=\"font-weight: 400;\">. (2017). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura, Fundaci\u00f3n Benjam\u00edn Serrano.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/es.scribd.com\/document\/510231444\/Benjami-n-Serrano-Trascendencia-y-vanguardia-desde-Tijuana&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Cecut 2017&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>Centro Cultural Tijuana. Cat\u00e1logo: Exposiciones 2017 <\/i><\/strong><span style=\"font-weight: 400;\">. (2017). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/.pupilo\/docs\/c2017_-sept18&#8243; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;1ra bienal cer\u00e1mica&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>1a Bienal de Cer\u00e1mica Art\u00edstica Contempor\u00e1nea<\/i><\/strong><span style=\"font-weight: 400;\">. (2017). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/.pupilo\/docs\/bienalceramica-v5-final&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Cecut 2016&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>Centro Cultural Tijuana. Cat\u00e1logo: Exposiciones 2016 <\/i><\/strong><span style=\"font-weight: 400;\">. (2016). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/.pupilo\/docs\/c2016_-v05&#8243; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Cecut 2015&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>Centro Cultural Tijuana. Cat\u00e1logo: Exposiciones 2015 <\/i><\/strong><span style=\"font-weight: 400;\">. (2015). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/.pupilo\/docs\/c2015-lr__3ago_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Cecut 2014&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>Centro Cultural Tijuana. Cat\u00e1logo: Exposiciones 2014 <\/i><\/strong><span style=\"font-weight: 400;\">. (2014). M\u00e9xico: Centro Cultural Tijuana, Secretar\u00eda de Cultura.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/.pupilo\/docs\/exp2014__lr_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2012&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2012. VII Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2013). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Obra Negra&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Ashida, C. y D\u00e1vila, OM. (2011).  <\/span><strong><i>Obra Negra. Una aproximaci\u00f3n a la construcci\u00f3n de la cultura visual de Tijuana <\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Centro Cultural Tijuana, Consejo Nacional para la Cultura y las Artes. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2010&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2010. VI Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2008). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2008&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2008. V Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2008). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Proyecto C\u00edvico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Est\u00e9vez, R. y Sanrom\u00e1n, L. (2008). <\/span><strong><i>Proyecto C\u00edvico<\/i><\/strong><span style=\"font-weight: 400;\">. M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2006&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2006. IV Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2007). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Strange New World.&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Teagle, R. (2006). <\/span><strong><i>Strange New World. Art and design from Tijuana <\/i><\/strong><span style=\"font-weight: 400;\">. United States of America: Museum of Contemporary Art San Diego. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Tijuana Sessions&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Lozada, P. y Pimentel, T. <\/span><strong><i>Tijuana sessions<\/i><\/strong><span style=\"font-weight: 400;\">. (2005). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Instituto Nacional de Bellas Artes, Secretar\u00eda de Relaciones Exteriores, Consejer\u00eda de Cultura y Deportes. Comunidad de Madrid, Universidad Nacional Aut\u00f3noma de M\u00e9xico.  <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2004&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2004. III Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2004). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;ES2002&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong><i>ES2002. II Bienal Internacional de Estandartes <\/i><\/strong><span style=\"font-weight: 400;\">. (2002). M\u00e9xico: Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana. <\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;ARTICLES&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;ART\u00cdCULOS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Academic Articles<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Tijuana: de aquel p\u00e1ramo sin cultura&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li> Rosique, R., (2022). <strong>Tijuana: de aqu\u00e9l p\u00e1ramo sin cultura al boom contempor\u00e1neo (Un itinerario de lo pl\u00e1stico-visual a lo conceptual y el dilema de su condici\u00f3n reproductora)<\/strong>. El Artista, (19). <\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.redalyc.org\/journal\/874\/87470125010\/&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Lo hipofronterizo&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">D\u00edaz, LE. (2021).  <strong>Lo hipofronterizo. El discurso del arte en Tijuana-San Diego 2017-2020 <\/strong>.  <\/span><i><span style=\"font-weight: 400;\">Mitolog\u00edas Hoy. Revista de Pensamiento, Cr\u00edtica y Estudios Literarios Latinoamericanos <\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">23<\/span><\/i><span style=\"font-weight: 400;\">, 135-145.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/revistes.uab.cat\/mitologias\/article\/view\/v23-diaz\/779-pdf-es&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Nuevas tijuanalogias&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Y\u00e9pez, H. (2018). <strong>Nuevas tijuanolog\u00edas: del hibridismo a las rudolog\u00edas en las est\u00e9ticas fronterizas<\/strong>. <\/span><i><span style=\"font-weight: 400;\">Revista Iberoamericana<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">84<\/span><\/i><span style=\"font-weight: 400;\">, (265). 975-993. Recuperado el NaN de de NaN de https:\/\/liverpooluniversitypress.co.uk\/doi\/10.5195\/reviberoamer.2018.7672. doi: https:\/\/doi.org\/10.5195\/reviberoamer.2018.7672.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/38027434\/NUEVAS_TIJUANOLOG%C3%8DAS_DEL_HIBRIDISMO_A_LAS_RUDOLOG%C3%8DAS_EN_LAS_EST%C3%89TICAS_FRONTERIZAS_2018_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Arte y cultura en Tijuana&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Su\u00e1rez, P. (2009). <strong>Arte y cultura en la frontera. Consideraciones te\u00f3ricas sobre procesos culturales recientes en Tijuana <\/strong>.  <\/span><i><span style=\"font-weight: 400;\">Anuario de Historia<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">1<\/span><\/i><span style=\"font-weight: 400;\">, 29-43.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/ru.atheneadigital.filos.unam.mx\/jspui\/bitstream\/FFYL_UNAM\/10613\/1\/02_AH_01_2007_Su%C3%A1rez_29_43.pdf&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;La frontera como falla&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Y\u00e9pez, H. (2007). <strong>La frontera como falla<\/strong>. <\/span><i><span style=\"font-weight: 400;\">Metapol\u00edtica<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">XI<\/span><\/i><span style=\"font-weight: 400;\">, (52), 49-53.<\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/18833389\/_La_Frontera_como_Falla_2007_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;ARTICLES&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;ART\u00cdCULOS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Articles<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Tijuana makes me japi&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong>\u201cDe la escena art\u00edstica local de Tijuana o Tijuana makes me japi\u2026\u201d<\/strong>, Maria Fernanda Huerta, Afecto Societal &#8211; Residencia de Arte Contempor\u00e1neo, 2019.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/issuu.com\/GabrielaLeirias\/docs\/afecto_societal_ii_fanzine\/s\/16245254&#8243; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;A Vibrant Arts Community&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong>\u201cA Vibrant Arts Community Bridges Two Cities Separated by a Contentious Border,\u201d<\/strong> Rachel Heidenry, Hyperallergic, 2018.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/hyperallergic.com\/471547\/being-here-with-you-estando-aqui-contigo-museum-of-contemporary-art-san-diego\/&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Productores mutantes&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong>\u201cProductores mutantes: el arte fronterizo de Tijuana 1992-2014\u201d<\/strong>, Heriberto Y\u00e9pez, Terremoto, 2016.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/38151069\/Productores_mutantes_el_arte_fronterizo_de_Tijuana_1992_2014&#8243; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Lo post-transfronterizo&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>Lo post-transfronterizo, Heriberto Y\u00e9pez, Literal Magazine, 2012.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.academia.edu\/38151148\/Lo_post_transfronterizo_2010_&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Strange New World&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong>\u201cStrange New World: Art and Design from Tijuana,\u201d<\/strong> Alessandra Moctezuma, Art Forum, 2007.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.artforum.com\/events\/strange-new-world-art-and-design-from-tijuana-201043\/&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Strange New World&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li><strong>\u201cStrange New World: Art and Design from Tijuana,\u201d<\/strong> Beth Rosenblum, ArtNexus.<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/www.artnexus.com\/es\/magazines\/article-magazine-artnexus\/5d6330cb90cc21cf7c0a059e\/63\/strange-new-world-art-and-design-from-tijuana&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;BLOGS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;BLOGS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Blogs<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;analisisdelaplasticadelnoroesteuabc&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>Historiadelartecuatro. (s. f.-a). <i>analisisdelaplasticadelnoroesteuabc<\/i>. <span class=\"url\">https:\/\/analisisdelaplasticadelnoroesteuabc.blogspot.com\/<\/span> <\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/analisisdelaplasticadelnoroesteuabc.blogspot.com\/&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_4,3_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; admin_label=&#8221;THESIS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;96%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;6vh||6vh||false|false&#8221; border_width_top=&#8221;1px&#8221; border_color_top=&#8221;#E8E8E8&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;TESIS&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Thesis<\/h3>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|12vw|||false|false&#8221; custom_padding_tablet=&#8221;|12vw|||false|false&#8221; custom_padding_phone=&#8221;|0vw|||false|false&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Tijuana la tercera naci\u00f3n&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>\n<div>\n<p>Belmar, L. (2023). <strong><i>Tijuana, La tercera naci\u00f3n. . .: la identidad tijuanense en las artes visuales y su relaci\u00f3n con los nacionalismos latinoamericanos<\/i><\/strong> [Tesis de licenciatura]. Universidad Nacional Aut\u00f3noma de M\u00e9xico. <\/p>\n<\/div>\n<\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Consultar&#8221; module_id=&#8221;consulta&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; background_enable_color=&#8221;off&#8221; custom_margin=&#8221;||||false|false&#8221; link_option_url=&#8221;https:\/\/ru.dgb.unam.mx\/bitstream\/20.500.14330\/TES01000838408\/3\/0838408.pdf&#8221; link_option_url_new_window=&#8221;on&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Check<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TextsBooks Fortis, D. (2021). Ecos y resonancias. Primera panor\u00e1mica de la pintura en Baja California . Tijuana, M\u00e9xico: Fondo Editorial La Rumorosa. Check Medell\u00edn, MP., D\u00e1vila, OM. y Fortis, D. (2021). Archivo Vivo. Primer mapeo de artistas mujeres de Baja California . M\u00e9xico: Fondo Editorial La Rumorosa. Check Ram\u00edrez ERRE, M. (2021). Them and Us [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-6399","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/pages\/6399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/comments?post=6399"}],"version-history":[{"count":11,"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/pages\/6399\/revisions"}],"predecessor-version":[{"id":6835,"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/pages\/6399\/revisions\/6835"}],"wp:attachment":[{"href":"https:\/\/tijuanacontemporary.art\/en\/wp-json\/wp\/v2\/media?parent=6399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}